Ten Wonderful Things, Part Four: Harry Potter

The fourth of ten things I loved about teaching this past semester.

4. Harry Potter and the Philosopher’s Stone

I’ve been doing a lot of reading about reading lately.

Since I began teaching CEGEP, I’ve become aware of a problem that directly influences everything I do (or, at least, it should) but I don’t know how to grapple with this problem.  The problem is that students don’t read books unless they’re required to read them for school.

This has become a little less true in the last couple of years, though, and I put it down to two things.

I would wager that this year, most of my female students had read the Twilight series.  I can’t count the number of times I was subjected to loud conversations outside my bathroom stall to the tune of, “Not Edward, I love Jacob!”  “No, Edward!  He’s sexy!”  “Jacob!”  “Edward!”  I could have assumed they were talking about the films, but I regularly saw the covers of Twilight installments sticking out of bookbags, and what’s more, it felt like I was seeing more other books sticking out of their bookbags as well.  Mostly vampire-themed romance novels, but still.

I believe that any book-reading is better than no book-reading, and I believe that students who read for pleasure have huge advantages over students who don’t. That said, I tried to read Twilight.  Or, rather, I tried listening to it as an audiobook.  About three chapters in, I was ready to puncture my eardrums to make it stop.

I shouldn’t assume that the book was wholly at fault – maybe reading the voice of the insipid narrator Bella would have been less irritating than hearing it.  But I was also offended and bored by the whole premise: girl with no discernible attractive qualities becomes the object of the obsessive desires of all the boys around her, including a vampire who is not a boy at all, but old enough to know much, much better.  Laura Miller of Salon has written and spoken about the problems with the messages that Twilight sends to teenage girls, and I agree with her.  Rescue fantasies are always troubling, I find, but it helps if the heroine is at least spunky, and Bella, at least in the first part of the first book, is about as spunky as low-sodium polenta.

Which brings me to what I believe is the second reason that these days, more of my students have read SOMETHING that wasn’t assigned by a teacher, and that reason is of course Harry Potter.

At the time when the Harry Potter books were really taking off, my students would have been around the age of the first book’s target audience.  A couple of years ago, when I asked classes if they’d read Harry Potter and the Philosopher’s Stone as kids, only a smattering of them raised their hands.  This semester, at least half of them did, and a good percentage of those said they’d read all or almost all the books in the series.  (The percentage who said they’d seen the movies but never read the books was about the same as it had ever been.)  Some of them had read the first book for school, but a lot had either read it on their own or, once they finished the assigned first book, went on to read the rest of the series of their own volition.

I assign it in my Child Studies course, where we first read Franny and Zooey.  They almost all hate F & Z, and they all, almost without exception it seems, love HP.  The reasons for this are a focus of discussion for much of the course; “What makes a book good?” is a running question from the beginning of the semester until the end, when they write a story themselves and evaluate it according to the criteria they come up with.

Harry Potter is special because they think it’s good, but it’s also special because I think it’s good.  It’s a good story.  It has lots of important messages about the value of courage and the danger of judging by appearances.  It has lovable characters, and most of the nasty characters are complex.  And it’s full of wonderful funny writing.  Assigning Twilight on a course would leave a bad taste in my mouth, but assigning Harry Potter doesn’t.  If they haven’t read it, they should.  If they have read it, they should read it again and think about why they love it so much.

What strikes me most about the Harry Potter lessons is the level of engagement in the discussions.  Students are almost never off-task.  No matter what question I ask them about the book, they have something to say about it.  They’ve DONE THE READING.  (If you aren’t an English teacher, you may not be aware of how significant this is.  It is VERY SIGNIFICANT.)  When I walk around and observe them, they hardly notice me, so absorbed are they in discussing whether Harry’s relationship with Draco Malfoy is more important than his relationship with Ron, or whether there is anything morally questionable about the role of witchcraft in the series.

Some would ask whether pleasure-reading should really be the focus of the college English classroom.  I would argue (and am hoping to soon write a literature review that argues) that it should be at least one of the foci, at least in the context that I teach in.  This might not have been true thirty years ago, when a large percentage of the students admitted to CEGEP already knew how to read for pleasure, and didn’t need to be given opportunities to discuss books they easily loved – they did that on their own time, as all “readers” do.  At that time, it made sense to introduce students to books they might not come to on their own, and to challenge them to find value in works they didn’t particularly like.*

I think it’s still important to do this (and when we work on Franny and Zooey, finding value in the difficult is the main thrust of our work.)  However, I think we also need to acknowledge that for many students, the only books they ever read are the ones they read for English class.  If they haven’t learned how to love books, English class might be the only place they can learn that, the only place where they have natural, invested discussions about books the way “readers” do, the only place they get to practice the skill of being a “reader.”

And if Harry Potter is the only book, or set of books, they’ve ever loved, then it might be a good idea to pause and look at it deeply and think about that experience: the experience of loving a book.

I try to mix up my assigned texts, mostly to avoid semester-to-semester plagiarism, so I’m trying to find a replacement for HP and the PS next year.  I’m considering introducing the students to A Wrinkle in Time instead.  I think of it as one of the Harry Potters of my generation.  (It was actually published seven years before I was born, but my friends and I were obsessed with it.)  It’s also the first in a series – a trilogy, actually – so you never know; it might lead some of them to read two non-required texts that year.

What book did you love when you were seventeen years old?  If I gave it to my seventeen-year-old students now, would they love it?  I might not teach them anything else, but if I give them the chance to love at least one book, I’ll feel like I did something right with my life.

*

*Katha Pollitt’s essay “Why We Read: or, Canon to the Right of Me” elucidates this topic in a way that has stayed with me for many years.

*

Previous wonderful things:

Thing #3: Early Mornings

Thing #2: Incorrect First Impressions

Thing #1: My IB Students

Image by Nino Satria

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Ten Wonderful Things, Part Three: Early Mornings

At least ten things went right this semester.  This is the third one.

3.  Early Morning Classes

A few semesters ago, I requested the “early schedule” (8 a.m. – 4 p.m., as opposed to 10 a.m – 6 p.m.) for the first time.

I had been relegated to the early schedule fairly often in my early CEGEP teaching days, when my preferences were moot and I took what I was given.  (In fact, I frequently taught Cont Ed courses from 6-10 at night, and then taught again at 8 the next morning.  My office mate and I concocted all sorts of plans to set up a cot in our office so we wouldn’t have to go home at all, but never did it because apparently security guards check offices in order to stymie such plans.)

Once I graduated to full-time ranks, I vowed that, given the choice, I’d never teach another 8 a.m. class.

But in the years that followed, I noticed something about the late schedule.  The late schedule is great if it’s not actually late.  Teaching between 10 and 4 is nice.  Students are awake, but resigned to being trapped at school for however many more hours.  They tend to be at the peak of their productivity (such as it is) somewhere during those hours.

However, 4-6 p.m. classes are never good.  Never.  Students are exhausted.  So am I.  Students are desperate to get out ten minutes early so they can catch a bus that will get them home an hour earlier than the next one will.  Students have been drinking a variety of caffeinated drinks since early morning, and have probably ingested at least one mild but illegal mind-altering substance in the parking lot.  4-6 p.m. is a particularly nightmarish time for remedial classes, where a lot of students tend to know little and care less about their own learning patterns and biological rhythms, and so are not likely to have, say, gone for a quick walk around the block or drunk lots of water or even completed the necessary homework before coming to class.

So, as an experiment, the semester after I returned from my last sabbatical, I decided to request the early schedule.  How bad could it be? I thought.  I’d often hauled myself out of bed at 5:30 a.m. when I was a private language teacher; if need be, I could nap.  I would have time in the afternoons to get marking and planning done, and even to get home and make dinner instead of living on takeout and whatever I could scrounge from the back of the freezer.  And colleagues often told me that they loved getting all their teaching done by noon.

It was not only not bad.  It was fantastic.

All of the above turned out to be true.  I was completely unable to have a social nightlife, even on the weekends, because I was falling asleep by 9 p.m., but frankly, I’m not much of a partier.  I was able to sit in my office at work until everything was ready for the next day, and STILL be on my bike and on my way home before rush hour traffic began.  And prepping and marking after class was far less stressful and more effective than scrambling to get things done before going in to teach in the afternoon.

What I hadn’t counted on, though, was the remarkable difference in the students.

You’d think that an 8 a.m. class would make for a lot of late arrivals, but I really didn’t notice more than at any other time.  (This term, I had a student in my 8 a.m. whom I’d previously taught in a class that began at noon, and he supported a theory that I have held for a long time: people who are late are late.  This student was a “late” person, and the time he was expected to show up made no difference to his lateness.  The only way to make “late” people show up on time is to lie to them about schedules, and you can’t really do that in a classroom context.  Punctual people will show up on time for class at 8 or at 4 or at 1 in the morning, because that is what punctual people do.)

What I did notice was that students come in at 8 a.m. wanting to do something.  Occasionally a head will go down on a desk, but, more often than not, in the early morning, students are grateful to be given a task, any task.  A lot of lecturing goes over less well, but I don’t lecture much anyway.  Group work, pair work, and class discussion are all pretty effective at 8 a.m., because they’ve just had their first cup of coffee and they need to keep that blood moving.

Also, students are less likely to spend a lot of time texting their friends, because their friends aren’t awake yet.  What’s more, they’re not ready to be disruptive, because if they’re the disruptive type, they probably a) didn’t sign up for an 8 a.m. class or b) were up late last night causing trouble, and so slept through the alarm, or c) are groggy.

Finally, teaching at 8 a.m. gives me a chance to give them a good start to their day.  Now, if I’m giving or returning a test, I can’t count on them being happy about it, but otherwise, I can try to find ways to make them laugh, make them think, or make them talk about things they care about.

I was especially grateful for my early schedule this semester, because last term I didn’t get one even though I requested it.  I have my fingers crossed for the fall.  I will happily get up at 5:30 every morning for the rest of my teaching life if it makes my job as enjoyable as it has been this term.

*

Previously on the list:

Wonderful thing #2: Incorrect First Impressions

Wonderful thing #1: My IB Students

Image by Oleksiy Petrenko

A World Without People

Yesterday, when I left school, I wanted to live in a world without people in it for just a little while.

My classes that morning had gone well – my Child Studies students just finished reading the first Harry Potter book, and we talked about why most of them loved it, and I asked them to make lists of books they’ve read and loved, and why they loved them.  I sometimes make sweeping statements about how “young people don’t read,” and this exercise always reminds me that I’m wrong, and it cheers me.

Nevertheless, there were, as usual, irritations.  One young man laughed uproariously when he got his last assignment back; he explained to his friends, well within my earshot, that he hadn’t read the book and his 90% was “ridiculous.”  Other students talked at inappropriate times and looked amused when I waited with thin tolerance for them to stop.

So, regardless of the fact that everyone else clearly enjoyed the lesson and participated enthusiastically in making lists, discussing with partners and sharing with the class, I headed for the metro feeling that people, especially young people, suck.

I was heading downtown to buy a birthday present for The Fiancé.  Downtown, and the trains downtown, are filled with people, and people were the last thing I wanted to deal with, but there was nothing to be done.  I managed to score an isolated corner seat, and this made me feel better.

A young man in a red Adidas track suit, white headphones dangling from his zirconia-studded ears, hair rigid with gel on top of his rhythmically bobbing head, slid into the seat opposite me.  He was CEGEP-student age – in fact, it was more than likely that he was coming from my school, and he was the last thing I wanted to see right now.

The solution?  One of the “TED talk” videos on my iPod.  I keep them for emergencies, for days when I have to be out in the world but want to be inside a cocoon.

I allowed myself to sink into Michael Shermer’s talk about how people are idiots.  I soon began to smile, and probably even laughed out loud.  When it came time to push my way out of the train, I barely registered the fact that people were cramming their way in without waiting for others to exit, something that usually makes me furious.

Ten minutes later, standing at the counter of the clinic where I planned to buy The Fiancé a coupon for a therapeutic massage (because he also has days when the world is too much), I realized that I no longer had my purse.  Hiding inside my “TED talk” cocoon, far away from the real world, I had left my purse on the train.

*

I ran back to the metro.  Standing by the turnstiles were three burly Montreal police officers: white, bald-headed, further thickened by their armoured vests and various deadly accoutrements.  They were consulting, and, as I approached, one said a businesslike “Ok, let’s go,” in the inflected way that the Québecois make “Ok, let’s go” a French expression.  They clearly had  somewhere to be, but when they saw me, they stopped and gave me their full attention.

“Yes?” the biggest one said.

Now, this is unusual.  The metro is outside an Anglophone college (not mine), so perhaps they were right to assume that I was an English speaker, but I would have been fully prepared to discuss the matter in French, and police officers I’ve dealt with in Montreal have been fairly adamant about doing so.  These men didn’t seem to be adamant about anything except making sure I was all right.

I explained the situation, and they outlined without delay what I needed to do: find someone who can let you into your house (my keys were gone), call to cancel your credit and bank cards, go to the nearest police station and file a report, then go to the lost and found at the central metro station tomorrow morning, because you never know.  Then they escorted me through the turnstiles so I could get back on the train (my metro pass was gone) and the biggest officer put a hand on my shoulder and said, “It could be worse.  It’s not the end of the world.  Good luck.”

*

Thus followed three very unpleasant hours.  My neighbour, who has copies of our keys, wasn’t home.  I walked a few blocks to the home of a friend who usually has our keys, but he couldn’t find them and then had a vague memory of returning them to The Fiancé the last time he came to visit us.  I called a third friend, and she had our keys, but when I arrived at her door, I realized that I had forgotten to ask for her new door code, and so I couldn’t get into her building; finally, a nearby boutique let me use their phone to call her.  All in all, it was an hour before I could get into my house.

Then I called the credit card company and the bank, had a long discussion about whether I should put a stop on all cheques (my chequebook was in my bag – but no, the landlord has postdated cheques that would be blocked), and went around the corner to the police station, where I filed the requisite report but was told that there was little I could do about identity fraud if someone tried to use my passport or social insurance number for nefarious purposes.  And then I went home to wait for The Fiancé.

Between the tasks that needed doing and the numbness that was probably due to shock, I managed to hold it together until he walked through the door.

He made me change out of my work clothes and lie down on the couch.  He covered me with a blanket and ordered us a pizza for dinner.  He headed out to the bank to get me some cash to carry with me the following day.  He made me watch some stupid show he hates on the Food Network instead of allowing me to persuade him to watch the hockey game.

And then the phone rang.  It was someone we had contacted about officiating at our wedding; she was calling to ask some questions and arrange for us to meet her.  We had quite a long conversation.  She was a British woman with a calm voice, and I found myself growing quieter and quieter as we spoke.  I’m getting married, I thought, and this nice lady is going to marry us.  As the police officer said, things could be much worse.

And when I hung up, I checked the dial tone, and it was beeping to indicate a message.

“Hello?  I am wondering if you know Miss Siobhan Curious.” The voice was young, and male, and hesitant, with an accent that sounded vaguely Middle Eastern.  “I am looking for this lady, because I found her bag on the metro.”

*

When I called back, the young man’s mother answered the phone.  “Yes, yes!” she cried in French.  “It is my boy who called you, he found your bag!”  And she passed the phone to him.

“Hello?”  He was clearly a teenager; even his “hello” sounded like it didn’t know itself yet.

My thanks were effusive, maybe slightly hysterical.  When I was able to draw breath, I said, “I’m sorry.  What is your name, please?”

“Reza,” he said.

“Reza,” I said.  “Thank you so much.”

He asked if I could come to a metro station the next afternoon, so he could meet me on his way to school and give me my bag.  “Of course,” I said.  “How will I know you?”

“Well, I know how you look,” he said.

“Oh, of course you do, you have my ID cards!  I didn’t think of that.”

“Yes,” he said, “but I saw you on the train.  I sat across from you.  I saw you get up and leave your bag.”

And then I could see him clearly.  Red Adidas track suit.  Zirconias in his ears.  Dangling headphones.  Stiff, gelled hair.  Exactly the kind of young person I hadn’t wanted to be looking at while I made my way downtown.

“Reza,” I said.  “Thank you.  You have made me very happy.”

Image by Brano Hudak

Why Children Shouldn’t Read

I love this excerpt, published in today’s Globe and Mail, from children’s author Susan Juby’s new memoir, Nice Recovery.  This book has gone straight to my list of “what to read next,” and it may be a contender for the reading list for next fall’s personal narrative course.  In it, Juby discusses her struggle, beginning at the age of 13, with alcoholism.  These paragraphs summarize her  experience with being a child reader, and resonate uncannily with my own.

…it may have been a mistake to use books as a guide to life.  This is because books misled me about a few things.  Thanks to warm-hearted stories like Anne of Green Gables, I expected to encounter kindred spirits on every corner, as well as gruff but caring old people…  Books hoodwinked me into believing a set of lies about what was and was not important in life.  In books…having a good vocabulary was crucially important.  When I went to school it turned out to be a serious liability.  In books a lack of concern about clothes and personal appearance showed solid character.  In school such unconcern spelled social disaster.  In books knowing a lot about a lot of things…was admirable and likely to be rewarded.  At school it pretty much guaranteed that everyone would think you were a show-off and a bore and would shun you.  In books people were mostly nice, and the ones who weren’t nice were easy to spot.  In school villains were everywhere and they were well disguised.

In all this talk about why it is important for young people to read literature, this aspect – a very real one – is often overlooked, and I’ve been struggling to put words to it in order to introduce it into the conversation.  When you are young, being a reader can really mess up your relationship with the world around you.  Is it any wonder, then, that it’s difficult to convince people in their late teens that reading is a good way to spend their time?

What I’m Learning From Roberto Bolaño’s The Skating Rink

A friend gave me a copy of The Skating Rink for my birthday a couple of weeks ago.  I’d told her that I’ve been trying to get into mystery novels lately, and she’s been devouring Bolaño but didn’t want to plunge me into his difficult masterpiece 2666.

It’s a relatively slim book, with an attractive, mysterious cover, and hey – a murder mystery.  So I was looking forward to it, and, after polishing off a couple of other things, picked it up in great anticipation.

It was hard.

The language wasn’t hard.  It’s narrated by three men, oral-history style, so the diction is simple and conversational.  Even structurally, it’s pretty accessible; each chapter is one long paragraph, which was in some cases disorienting, but the chapters are short, no more than a few pages. And there’s no question but that it’s brilliant.  The story is sinewy and double-crosses itself so that you have to read more and more slowly, backtracking and pausing and questioning.

It’s set in a fictional Spanish town outside Barcelona.  I’ve never been to Spain – it’s next on my list – and maybe some more intimate cultural knowledge would have helped me.  The three narrators were indistinguishable to me until well into the first 3rd of the book; maybe if I had some personal associations with the names “Gaspar,” “Remo” and “Enric,” they would have solidified for me sooner.

(I love names.  As a child I kept lists of names; I would comb through magazine mastheads and the credits of movies to find names that were new to me and write them down.  Every so often I’d alphabetize the lists – by hand, of course, on notepaper – so that I could spend more time looking at them and sounding the names out in my head.  For most of my life, I’ve had an uncanny ability to remember people’s names, although that has declined in recent years.)

What’s more, none of the characters – the narrators, the beautiful figure skater at the centre of the story, the old opera singer, her young companion…– were the sort of people one would really want to spend any time with.  I know this is a facile criticism; in fact, it’s not a criticism at all.  “Creating likable characters” is an overrated skill; creating unlikable but interesting characters is a far greater feat.  And these characters are all supremely interesting.

It’s a very good book, and I found it difficult to read.  And this was an important experience, because it reminded me of what my students go through all the time.

My friend chose this book for me, and I could have chosen not to read it.  I decided to read it through to the end because:

  • Bolaño is an important writer, and, as a reader, writer and teacher of literature, I should know something about his work,
  • I could recognize that the book is brilliantly written, even if I wasn’t compulsively swept along by it,
  • My friend loves Bolaño, and she’s smarter than me in many ways, so I know she’s on to something.

So I was able to engage in and appreciate this tough reading experience because I can recognize that it will bring me something.  And the truth is, when I say “tough,” what I mean is “I didn’t feel obsessed with the urge to devour this book to the exclusion of everything else I have to do.”

My students, however, are in a different position.  First of all, they don’t get to choose whether they finish the books I assign.  (Well, they do – their latest writing assignments suggest of many of them decided not to finish, or in some cases even to start, Franny and Zooey – but the impact for them is much greater than it is for me when I abandon a book.)

Also, my students have not received years of training in the reading of literature.  In fact, many of them don’t even have years of experience in reading simple books – a good number of them have probably never read a book, certainly not a work of fiction, unless it was assigned in school.  Therefore, I expect their responses to my “motivations” would go something like this:

  • “You say this guy’s an ‘important writer.’  Why should I care?  What do ‘important writers’ have to do with my life?  A bunch of people somewhere decided that this guy is important.  I don’t think he’s important.”
  • “You say this book is ‘brilliantly written.’  What makes it brilliant?  Who says it’s not just some guy amusing himself without caring what his reader wants?  If someone else calls this ‘brilliant writing,’ why should that matter to me if I don’t understand what the guy’s saying or why he’s saying it?”
  • “I guess maybe my English teacher is smarter than me.  Or maybe not.  She seems to think she is.   But why does that mean that I should read the things she thinks I should read?  That guy sitting up front in the third row is probably smarter than me, too, but I guarantee you that the stuff he likes is as boring as the stuff my English teacher likes.  If my English teacher likes this book, then I probably won’t, because my English teacher is NOTHING LIKE ME.”

We’re each the centre of our own universe, including our own reading universe.  My friends recommend books to me – sometimes I read them, sometimes I don’t finish them, sometimes I never pick them up.  I tell my students to read things because I think they should, and because I think they might even enjoy them.  They don’t get to decide what to do with that information; they either follow my recommendations or they risk failing their English course.

Granted, school is not a book club (although I sometimes wish I could make my classes more like book clubs, and I’m taking steps to see if that can happen.)  But if I can at least empathize with my students’ struggle to read books they don’t really like, maybe I can find ways to help them get something out of them.

I’m glad I read The Skating Rink through to the end.  It will stay in my mind far longer than some of my more comfortable reads.  I’d like my students to be glad about their difficult reading experiences too.  I don’t know if it’s too late, if they’re too old, to learn this skill if they don’t already have it: the skill of taking satisfaction in meeting an unappetizing challenge.  But maybe teaching them this skill is one of the most essential parts of my job.

If anyone has any pointers on how to teach it, I’m all ears.

What I’m Learning From What I’m Reading: Ann Patchett’s Bel Canto

On Thursday, I received a number of pre-spring-break, post-1st-major-assignment visits, emails and phone calls from students who are now hopelessly behind.

These communiqués are always bad for my blood pressure.  I start obsessing about what I will say if they challenge my “no makeups without a medical excuse” policy.  I twitch every time I think of the student who insists that she DID hand in the essay on the due date, and promises to email me a copy at the end of the day, but then doesn’t.  I start anticipating.  I start feeling sorry for myself, and angry at them.

On Friday morning, sitting on the metro on the way to work, I was reading the last few chapters of Ann Patchett’s Bel Canto, but I was distracted, thinking about the phone messages that might be waiting for me when I arrived at the office.  I put the book down on my lap and stared at the bobbing metro wall for a while.  It was decorated with one of those shocking STD service announcements that show a girl’s panties down around her thighs, her crotch covered by a black bubble and text that translates as “The thing about chlamydia is that often you can’t see it.”

Everything, I thought, is a slippery slope.

Then I looked down at the book in my lap.  And I thought:

You know what?  I’m not being held hostage by South American terrorists.

*

[Note: something else I’d like to learn: if anyone has any knowledge of what constitutes “fair use” of book cover images for blog posts, I would like very much to know.  I’m assuming that I’m safe to use a cover image for a post like this, but I can’t find any clear confirmation of this fact.]

What I’m Learning From What I’m Reading: Zadie Smith’s Changing My Mind

There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says, “Morning, boys.  How’s the water?”  And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes, “What the hell is water?”

David Foster Wallace, Kenyon College commencement speech, 2005.  Quoted by Zadie Smith in “Brief Interviews with Hideous Men: The Difficult Gifts of David Foster Wallace,” in Changing My Mind: Occasional Essays

(Note: Smith would hate my using this quote out of context and presenting Wallace as a “dispenser of convenient pearls of wisdom;” she says that he was “the opposite of an aphorist.”  Nevertheless, her beautiful elegy to Wallace is full of such pearls, and this one is merely my favourite.)

Foster concludes the speech by elucidating:

…[T]he real value of a real education…has nothing to do with knowledge, and everything to do with simple awareness; awareness of what is so real and essential, so hidden in plain sight all around us, all the time, that we have to keep reminding ourselves over and over: “This is water.  This is water.”  It is unimaginably hard to do this, to stay conscious and alive in the adult world day in and day out.

Image by barunpatro

Literature and the Meaningful Life

Here’s a little something I found in my inbox this morning.

What makes for a meaningful life? I consider each day, not just the life as a whole. I look at four ingredients. First, was it a day of virtue? I’m talking about …avoiding harmful behavior of body, speech, and mind; devoting ourselves to wholesome behavior and to qualities like awareness and compassion. Second, I’d like to feel happy rather than miserable. The realized beings I’ve known exemplify extraordinary states of well-being, and it shows in their demeanor, their way of dealing with adversity, with life, with other people. And third, pursuit of the truth—seeking to understand the nature of life, of reality, of interpersonal relationships, or the nature of mind.

But you could do all that sitting quietly in a room. None of us exists in isolation, however, so there is a fourth ingredient: a meaningful life must also answer the question, “What have I brought to the world?” If I can look at a day and see that virtue, happiness, truth, and living an altruistic life are prominent elements, I can say, “You know, I’m a happy camper.” Pursuing happiness does not depend on my checkbook, or the behavior of my spouse, or my job, or my salary. I can live a meaningful life even if I only have ten minutes left.

-B. Alan Wallace from “What Is True Happiness” (Tricycle, Fall 2005)

The fourth ingredient is the one I’ve been thinking about a lot lately.  It’s the one that keeps me from quitting my job.

My personal life is pretty small: I have a wonderful fiancé, loving parents, good friends, a couple of cute and snuggly cats.  Very few people depend on me, and those who do depend on me for very little – the possible exception is The Fiancé, but even he could get along just fine without me if he had to.  Oh, and the cats – they’re people too – but their needs are simple.

If it’s true that “a meaningful life must also answer the question, ‘What have I brought to the world?’,” then my job as a teacher is the part of my life that answers that question the best.  Every day, when I walk into the classroom or meet with a student in my office, I have the opportunity to bring something to the world.  What I bring, and whether it helps anyone, is another question, but at least I am given that chance.

The question I posed yesterday – why should we teach literature? – is a similar question to the one Wallace raises, at least in the context of my job.  What am I bringing to the world when I coerce my students into reading books they don’t want to read and thinking about them in ways they don’t feel are useful?  Am I helping them?  Am I helping the world?

I think maybe I am, but I have to keep asking myself the question.

Image by Melodi T

Why Study Literature?

Why should young people study literature?  Why, in particular, should seventeen-to-twenty-year-olds who don’t read for pleasure and have weak literacy skills be forced to spend their time reading poetry, novels, plays etc. instead of working on simple reading comprehension and writing skills?  Is it as important for students to read Salinger or Ishiguro as it is for them to read the newspaper?  Why am I teaching this stuff?

For one of my MEd courses, I need to research, summarize and evaluate scholarly articles about teaching my discipline.  In order to start on this review, I need to come up with a research question.  Thus far, my general questions are those I list above.  From here, I need to decide what, specifically, I want to investigate – skills that I want my students to learn by studying literature, and the best ways to teach these skills effectively.

Maybe you can help get my thoughts on this rolling.  Do you have opinions on this subject?  Why is the study of literature important?  What skills do students learn through reading literature?  Can they learn these skills through reading literature in ways that they can’t elsewhere?  Why should college-level students who don’t like reading and who don’t see a practical application for literature in their lives be required to take English courses in which literary analysis is a major component?  Are we serving them well by demanding this?  Why do we not just focus on grammar and composition and leave the literature to the English majors?

Image by Szuszanna Kilian

Top 10 Posts of 2009

Have you gotten behind on your blog reading?  Do you wish you’d had time to read EVERY SINGLE POST here at Classroom as Microcosm this past year?  Or are you a new reader who doesn’t know how to get caught up on all this teacherly goodness?

Never fear – I’ve put together a handy list to help you get up to speed.  I checked out my stats meter for 2009 and compiled the posts that received the most hits in the last twelve months.  I don’t know for sure that these are the best posts I’ve published this year – maybe you can tell me! – but they’re the ones that made people take notice, for better or for worse.

1. Top 10 Student Excuses for Missing Class:

This post’s popularity is due in large part to Sarah Ebner at School Gate, who came across it and generously promoted it more than once to her TimeOnline readers.  It remains one of my favourite posts, because it reminds me each time I read it that my students are complex and interesting people, and that not all excuses are sneaky fictional attempts to avoid consequences!

2. 10 Reasons I Hate Grading Your Assignment:

A rising stat meter usually makes a blogger very happy: people are reading my post!  Hurrah!  In the case of this post, however, the rising meter eventually triggered a full-blown panic attack.  A lot of people were made very angry by this rant, in which I wax furious on green printer ink, 1-and-1/2 spacing, sloppy proofreading and unauthorized email submissions.  I also received some very nice comments and emails congratulating me on my uncompromising standards, but this post marks the first time, ever, in my life, that I wished people were paying a little less attention to me.

A follow-up post, in which I examine the effects of the negative feedback on my state of mind, was also high on the list of top posts.

3. Sulk and the 17-year-old Girl:

The saga of Mary, Melanie, and especially Marta begins here, and the anxiety of dealing with these difficult but interesting girls was more than offset by the pleasure I got from writing about them.  Later posts on the trio that also received lots of hits are part two of “Sulk…“, my wrap-up of several of the winter semester’s top stories, and a one-act screenplay of my final meeting with the three girls.

4. Who Says You Have To Go To College?:

The question of whether college is the best path for everyone has been on the table a lot in the past year, and this probably accounts for the popularity of this post.

5. Holden Caulfield Has Left the Building:

Have teenagers really had it with Holden Caulfield?  My classroom experience says yes and no.

6. Yannick’s debts:

I was surprised to see this post near the top, as it’s relatively recent, but the story of Yannick’s troubles and my refusal to baby him seems to have resonated with a lot of readers.

7. There Are Worse Things Than Dropping Out of School:

Another post that asks whether school is really for everyone.

8. If You Use This Phrase in Your Essay, You Will Fail:

Top 10 lists seem to always be a hit.  In this one, I enumerate some word choices that I’d be happy never to read again.

9. What I Did On My Summer “Vacation”:

This one came out in August, just as everyone was ready to start thinking about teaching again; maybe that’s why it received a lot of visits.  It’s a response to the 2009 Professional Development Meme; I had previously listed my professional development goals for the summer, and in this post I examine whether I met them.

10.  One Minute of Solitude:

After reading this post about how I implemented my friend Lorri’s “one minute of silence” exercise in my classroom, a lot of readers wrote to say that they were going to try it, too.  I didn’t maintain this exercise throughout the semester, but I may do it again sometime and stick with it to observe the results.

And, because I do love a good, justified rant, a bonus post…

11. Now You’ve Made Me Mad:

This one is worth it for the “angry kitty” photo alone.

Thank you so much for reading, commenting, and making my blogging so rewarding!

Image by Owais Khan